One of the foremost Black writers and intellectuals of his era, Claude McKay (1889–1948) was a central figure in Caribbean literature, the Harlem Renaissance, and the Black radical tradition. McKay’s life and writing were defined by his class consciousness and anticolonialism, shaped by his experiences growing up in colonial Jamaica as well as his early career as a writer in Harlem and then London. […Learn More]
A vibrant collection of personal and lyric essays in conversation with archival objects of Black history and memory.
What are the politics of nature? Who owns it, where is it, what role does it play in our lives? Does it need to be tamed? Are we ourselves natural? […Learn More]
In Just Us, Claudia Rankine invites us into a necessary conversation about Whiteness in America. What would it take for us to breach the silence, guilt, and violence that arise from addressing Whiteness for what it is? What are the consequences if we keep avoiding this conversation? What might it look like if we step into it? “I learned early that being right pales next to staying in the room,” she writes. […Learn More]
For the black community, Jerald Walker asserts in How to Make a Slave, “anger is often a prelude to a joke, as there is broad understanding that the triumph over this destructive emotion lay in finding its punchline.” It is on the knife’s edge between fury and farce that the essays in this exquisite collection balance. Whether confronting the medical profession’s racial biases, considering the complicated legacy of Michael Jackson, paying homage to his writing mentor James Alan McPherson, or attempting to break free of personal and societal stereotypes, Walker elegantly blends personal revelation and cultural critique. […Learn More]
A revised collection with thirteen essays, including six new to this edition and seven from the original edition, by the “star in the American literary firmament, with a voice that is courageous, honest, loving, and singularly beautiful” (NPR).
Brilliant and uncompromising, piercing and funny, How to Slowly Kill Yourself and Others in America is essential reading. […Learn More]
In 1773, a young, African American woman named Phillis Wheatley published a book of poetry that challenged Western prejudices about African and female intellectual capabilities. Based on fifteen years of archival research,The Age of Phillis, by award-winning writer Honorée Fanonne Jeffers, imagines the life and times of Wheatley: her childhood in the Gambia, West Africa, her life with her white American owners, her friendship with Obour Tanner, and her marriage to the enigmatic John Peters. Woven throughout are poems about Wheatley’s “age”―the era that encompassed political, philosophical, and religious upheaval, as well as the transatlantic slave trade. […Learn More]
In eight highly praised treatises on beauty, media, money, and more, Tressie McMillan Cottom—award-winning professor and acclaimed author of Lower Ed—is unapologetically “thick”: deemed “thick where I should have been thin, more where I should have been less,” McMillan Cottom refuses to shy away from blending the personal with the political, from bringing her full self and voice to the fore of her analytical work. Thick “transforms narrative moments into analyses of whiteness, black misogyny, and status-signaling as means of survival for black women” […Learn More]
From breakout writer and peerless new voice Hanif Abdurraqib, the New York Times bestselling author of Go Ahead in the Rain: Notes to A Tribe Called Quest, comes a personal and introspective examination of black performance in America, in which race, history, culture, and entertainment collide.
They Don’t Dance No Mo’ is an urgent project that unravels all modes and methods of black performance, in this moment when black performers are coming to terms with their value, reception, and immense impact on America. […Learn More]